WORDS

WORDS

Ryan Antooa

Ryan Antooa

pHOTOS

pHOTOS

Anna Surokin

Anna Surokin

dATE

dATE

May 30, 2026

May 30, 2026

An AI Perspective You Haven't Heard Yet

It's an analogy we've touched on before, but for us, AI really is a McDonald's and steak comparison. Both exist and both serve their purposes.

Scenario: it's midnight, on a Thursday, and you just came back from seeing your favourite artist in concert, and the kids are asleep at home, and it's your one night you've had out in forever. Chances are you're getting drive-thru McDonalds and enjoying it in your car, like the champion that you are.

For the time and context, that makes total sense.

Another scenario: it's mid-June and you're about to meet your partner's father for the first time, and he's coming over to your house. He likes doing real dad shit, like golf, working on restoring vintage vehicles in his spare time, and whiskey. You're fortunate enough to have a backyard and a grill and it happens to be a weekend, and you're responsible for making dinner. Are you going and getting McDonalds? No. You're making a nice strip streak for everyone.

For the time and context, that makes total sense.

"Some people prefer McDonald's and some people prefer steak."

There's a lot of conversation about AI – especially from the perspective of design agencies – and rightfully so. Some agencies are using AI to make their own tools; some are using it entirely for their creative and operational processes; some are rejecting the usage of AI entirely.

From what we've seen, as an average, AI creative generally doesn't perform well, look great, and above all, feel ethically good to use – and not just because it's drawing from other artists' work, but also because the quality just doesn't cut it.

Especially for motion and 3D work. We spend a lot of our time in Rive, After Effects, Cavalry, Blender and C4D; any AI tool we've seen, from Higgsfield to MidJourney, just can't cut it when it comes to high quality 3D work. The level of control over easing, transitions, lighting, and environment just isn't there.

If anything, using AI streamline project management, processes and operations at any agency seems like the move. Anything else just feels a little boring. Plus, AI is drawing off of existing data to create something that is prompted; creativity is about interpreting the past to create something new.

From what we've seen and experienced as a studio, AI isn't threatening designers or agencies: it's threatening commodities.

McDonalds and steak.

A national organization making $20M in ARR isn't going to trust ChatGPT to come up with their logo, or any other AI tool to build their brand strategy or website. Sure, they may use AI in parts of the process, or maybe not, but you bet they aren't one-shotting anything with AI.

A local cafe with zero budget and business plan might just use ChatGPT to design their logo for them. Maybe.

When it comes to templates or logos or any creative AI puts out, it's all at a commodity level. Clients who value deep, custom brand strategy and identity will always be around; AI just cut out the fluff layer of it all. And if that's the level you were operating at, you went with it.

If anything, it's causing a resurgence of hand-drawn, illustrative, serif-based designs and creative work as a counter to AI slop. Just look at the recent work Lacoste, Balmain, or Porche have put out in recent months.

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